On Berlin, I contributed across both pre-production and execution. My responsibilities began with recce and scheduling, breaking down the script and mapping scenes with suitable backdrops and props. I worked on creative presentations building reference decks with visual palettes and shot ideas to align the team before the actual shoot.
On set, I took on the role of Assistant Director and Script Supervisor, tracking completed vs. pending shots, noting takes and maintaining continuity, while also coordinating between departments to keep the workflow smooth.
Later, I transitioned into post-production, managing edits, color grading and creative refinements to deliver polished promotional content. This project gave me hands-on exposure to the full filmmaking process from conceptualization to final cut.
For the Berlin screening event, I worked as a Content Producer and Lead Post-Production, managing the project from pre-planning to final delivery. Leading a team, we handled the entire process from conceptualizing and capturing on-ground moments, event coverage, red-carpet arrivals and reactions to editing a visually cohesive screening highlight video.
In post-production, I supervised the edit, color and sound design to craft a cinematic reel that captured both the energy of the event and connection of the film.
This project reinforced my ability to manage teams, oversee creative direction and deliver fast-turnaround content that amplified the film’s promotional campaign.
For the Berlin Cricket Event, an inclusive match featuring the film’s cast and specially-abled (deaf and mute) children. I was part of the on-ground production team responsible for documenting the event’s energy and emotional moments.
Armed with just a phone camera, I focused on capturing raw, human-centered visuals, from player interactions to spontaneous crowd reactions ensuring authenticity in every frame. My recordings contributed to the final highlight reel that celebrated the spirit of teamwork, inclusion, and joy beyond the game.
